French Mirrors a la Modge Podge

Teens will always keep you guessing... I knew this mirror project was going to be a hit with my DIY Friday library group. What I didn't realize is how much teens love collage and working with Modge Podge. It was the best project yet, everyone was relaxed, creatively engaged and in the end tremendously proud of their mirrors.

The first step is to locate inexpensive, preferably unfinished, wood frames. The ones we used were from IKEA, very reasonably priced at a few dollars each. It's the very same frame I covered with aluminum cans in my book Craftcyle.

I collected an assortment of black, white, ivory and red scrapbook papers from my stash. Our wonderful young adult librarian supplied photocopied iconic images from France along with an old french novel for tearing apart. I also borrowed a set of themed stamps from a crafty friend.

Start by covering the center of the mirror with a scrap of paper to prevent it from getting gunked up with glue. The teens launched straight into selecting papers and arranging them over the four sides of the frame.
Once they were sure of the placement they used gluesticks to anchor the paper pieces in place.

Hands at work stamping images to collage onto their frame.

I brought my paper cutter along and it was passed between tables. It's the fastest and easiest way to cut a perfect straight edge.

Before long the tables were covered in a sea of paper scraps. The conversation was lively and fun, they were really happy working on this project. I have to mention that the teen in this picture designed and stitched her lovely shirt!

I encouraged all the teens to just cover the top surface of the frame. Bending the paper around edges can be problematic, causing bumps and uneven edges. I love the tissue tearing technique that this artist used, it gives texture to the sides of the piece.

Despite the fact that everyone was sharing the same materials and wooden frames there was terrific diversity in the way they approached the project and their finished frames.

It was fascinating to watch this frame come together, beautiful balance and design.

The final step was to apply a coat of Modge Podge over the surface. In a few cases we had trouble with the paper wrinkling. When that happened we simply lifted up the offending piece and applied a layer of Modge Podge under it and then repositioned it, instant fix.

 

Playing with Shadow Puppets

I'll admit it, my job is the best. I play with art materials all the time for publication and then I get to take a break and share creative fun with kids in our community. This week our One World, Many Stories theme inspired my Bali Shadow puppet workshop. This ancient art has been practiced for centuries, as a way to honor religious beliefs and share folklore stories.

We didn't use the traditional materials of hide and bamboo rods, instead each child was given a quarter sheet of black poster board. We also passed out two to three dowel rods that were 1/8" in diameter and cut to twelve inch lengths. We had hole punches, brad fasteners and clear packing tape on hand to connect the pieces together.

My sample puppets were loosely based on traditional puppet images. The male puppet is wearing a horn shaped crown, and a decorated loin cloth. The female puppet is also royalty, she's wearing a traditional skirt and has a stylish hair do. I always encourage children to create their own patterns, the head should touch the top of the poster board and the feet the bottom. The four unconnected arm pieces, two upper arms and two lower arms,  fit on either side of the body. All the pieces need to be thick enough to accommodate the hole punch. When I'm working with groups of fifty children or more I often bring templates for those who aren't comfortable creating their own design.

After the body and arms are sketched onto the poster board the cutting begins.

Holes need to be punched through the shoulder of the body piece and the shoulder of the top arm piece. Brad fasteners join the pieces together while allowing movement.

The elbow connection also requires two punches, one in the base of the upper arm and another in the top of the lower arm. Once you've fastened them together repeat on the other side.

This is a great parent and child project, love to see big and little hands creating together!

Turn the puppet over and use a strip of packing tape to adhere one dowel rod to the bottom of the body and the other to the lower arm.

Decorative hole punching along the top of the puppet lets more light through and makes the shadow more interesting.

The moment we were all waiting for, the puppets worked! The kids had so much fun playing with them I wish I was able to record video. We had arranged the tables in front of the window bays to take advantage of the natural light. Translucent (inexpensive) plastic table cloths were taped to the table top and carpeting to make a stable screen.

Here's a happy puppeteer with her very own puppet design!

This wolf puppet casts a foreboding shadow.

So glad I got a shot of the creative action behind the screens.

Don't worry, be happy! How to make your own Guatemalan worry doll.

I've been excited to share this project for weeks. Worry dolls are an ingenious Guatemalan craft that help ease troubles of parents and children who are working together to cope with stress associated with sickness and poverty . The idea is to make a likeness of the child and place it under their pillow at night. The belief is that the doll will take away the worry or sickness as they sleep. Like a dream catcher the act of making the craft is soothing. The project fits in perfectly with the library's summer theme - One World, Many Voices. I began the workshop by retelling the folklore story about how the craft of making worry dolls began, I found a great resource at this site http://www.sciencejoywagon.com/kwirt/mayan/

With a group of almost a hundred preregistered children we set up supplies in separate stations around the room to fully utilize the space and avoid congestion.

To stop heads from rolling four 10 mm beads are separated into cups. The multicultural chenille stems are a must, we ordered them from Dick Blick.

This is the clothing table, fabric is cut to 2 1/4" x 4" strips, colorful yard for tying and scissors. We had another table filled with an array of hair choices that included: yarn, embroidery floss, and wool roving in an assortment of colors. The last stop was lidded jewelry boxes with colored paper tape and adhesive dots.

After collecting all the materials the first step is to wrap the hair of choice five times around your fingertips.
Slip the hair off your fingertips and trap it in the crook of a folded chenille stem.

This sample shows a pinch of roving caught in the fold. Slide the bead head up over chenille stem ends so that it rests under the hair.

Here are three dolls ready with embroidery floss hair and heads.

To form the legs and arms, fold up the length of the chenille ends so they extend above the hair. The folded ends will become the feet and the ends will fold down at the neck to become the arms. Fold over the very end of the arms to shorten their length and shape hands.

 Every child was encouraged to make a set of four dolls to showcase a variety of skin tones and hair color.

To clothe your doll wrap the fabric scrap under the dolls arms use a length of brightly colored yarn to wrap and tie it in place.

This young artist was using the yarn to make the clothing, he just kept on wrapping.

To make pants cut the fabric piece in half wrap and tie them around each leg. With a fold and a snip this doll ended up with a nifty felt shirt.

Fancy braided hair is held in place with yarn bows.

This doll was being tucked into bed, shhhh....

Decorating the boxes, was almost as fun as making the dolls. I was so pleased that the boys enjoyed this project almost as much as the girls. Wishing you all worry free days of happy crafting!